Box Office

Sony’s latest horror flick, *28 Years Later*, has emerged from previews with a considerable gross that surpasses $5 million—a promising start for a genre that tends to generate substantial early interest. However, comparing it directly to *Final Destination: Bloodlines* is misleading. While both films tap into the horror genre’s success, *Final Destination: Bloodlines* opened its
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Nuremberg is a film poised to resonate deeply within the annals of cinematic storytelling, not only for its star-studded cast but also for its profound historical significance. Written and directed by James Vanderbilt, the narrative is adapted from Jack El-Hai’s thought-provoking book, *The Nazi and the Psychiatrist*. This film ambitiously aims to portray the tumultuous
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IMAX has announced a pivotal leadership change, appointing Heather Morgan as the new Head of Global Distribution, effectively taking the reins from Craig Dehmel, who has served in this capacity for nearly a decade. This transition marks a crucial moment for IMAX, a company that has redefined cinematic experiences through its expansive large-format screens. Dehmel’s
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The specialty box office is witnessing a remarkable transformation, particularly with the emergence of documentaries that shine a spotlight on powerful narratives from the world stage. As audiences grow more discerning, films like the Sundance Audience Award-winning *Prime Minister* are carving out a niche that resonates deeply with viewers. This documentary takes an intimate look
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In an industry where intuition once reigned supreme, the acquisition of The Quorum by Greenlight Analytics marks a paradigm shift towards data-driven decision-making in Hollywood. Founded by David Herrin, a prominent figure in film analytics, The Quorum distinguished itself through bold predictive insights and the democratization of box office forecasting. The very essence of its
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The anticipation surrounding the release of *Ballerina*, the latest addition to the John Wick franchise, is palpable, with early box office projections estimating a preview earning between $3.5 million and $4 million. This includes fan screenings, which began on Wednesday evening, followed by broader Thursday showings. With an impressive $80 million to $90 million production
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In an impressive demonstration of audience anticipation, Sony Pictures’ 28 Years Later shattered records by becoming the biggest horror film for pre-sold tickets in just 24 hours since its release. This remarkable feat eclipsed pre-sale ticket sales for notable contemporaries such as Sinners and Final Destination: Bloodlines. Comparatively, it left 2024’s Nosferatu and Alien: Romulus
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The anticipation surrounding Disney’s live-action adaptation of *Snow White* starring Rachel Zegler has been anything but smooth sailing. Even before its release, the film found itself in the eye of a controversy storm, stirring heated debates about representation and modernization in classic tales. These discussions aren’t just noise; they reflect a shift in audience expectations
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