Box Office

Alamo Drafthouse is embarking on a new chapter in its corporate journey with significant changes in its senior leadership. The Austin-based cinema chain has announced the promotions of Dana Pearson and Alex Shullman to pivotal executive roles, indicative of a strategic move aimed at fortifying its operational capabilities post-pandemic. Pearson will assume the responsibilities of
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Broadway is a stage for creativity, passion, and sometimes, controversies that capture the attention of audiences beyond the music and acting. A stark example of this dynamic was seen last week when the revival of the legendary musical *Sunset Boulevard* navigated through turbulent waters stemming from its star, Nicole Scherzinger’s, social media post. Expressing personal
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This past weekend, “Paddington in Peru” stole the hearts of audiences across the UK and Ireland, achieving an outstanding box office launch that marks the biggest opening of the year for a British-produced film. With an impressive three-day haul of £9.65 million (approximately $12.4 million), this delightful sequel not only surpassed the previous “Paddington” films
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In the competitive landscape of Hollywood, timing can be everything, particularly when it comes to holiday releases. As Lionsgate recently postponed their highly anticipated biopic “Michael,” centered around Michael Jackson, from April 18 to October 3, Warner Bros. swiftly capitalized on the opening. The studio has rescheduled the release of Bong Joon Ho’s latest venture,
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In a notable shift in the film industry, Lionsgate has rescheduled the highly anticipated Michael Jackson biopic, titled “Michael,” from its initial Easter weekend release (April 18-20, 2024) to a new date of October 3, 2025. This move raises interesting questions regarding the strategic planning associated with film releases. While Easter traditionally offers a family-friendly
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Robert Zemeckis has consistently pushed the boundaries of filmmaking, known for his pioneering use of technology and imaginative storytelling. From the revolutionary animation in “Who Framed Roger Rabbit?” to the genre-defining visual effects in “Forrest Gump,” Zemeckis has earned a seat among the cinema greats. Yet, with his latest film “Here,” a project that reassembles
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