Box Office

In an exciting development for cinema enthusiasts and creators alike, Jason Hellerstein has officially unveiled 1-2 Special, a fresh film distribution entity with a keen eye on both domestic and global festival circuits. Set to be headquartered in New York, this ambitious company aims to acquire films that have made waves in international festivals, starting
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As winter maintains its grip on New York, the financial climate of Broadway has experienced a notable downturn. With the impending arrival of spring, traditionally seen as a bustling time for theatrical productions, last week’s box office returns revealed only four shows—Cabaret, Redwood, Romeo + Juliet, and Wicked—reporting stable or slightly improved ticket sales. The
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Super Bowl weekend has often proven challenging for filmmakers, with audiences tending to shift their focus from theaters to televised sports events. However, this year, the landscape was invigorated by the debut of the music documentary concert film **Becoming Led Zeppelin**, which has emerged as a silvery lining amid the otherwise underwhelming attendance. The film’s
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The cinematic landscape is often a battleground, with films vying for attention, revenue, and viewer loyalty. Recent releases, “Mufasa: The Lion King” and “Sonic the Hedgehog 3,” have captured the public’s eye, albeit in contrasting ways. Despite a rocky beginning at the box office for “Mufasa,” this lion story appears poised for long-term success, and
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As the animated feature “Dog Man,” based on Dav Pilkey’s popular comic series, begins its theatrical run, industry analysts are closely examining its early performance against previous titles. The film, which accumulated $1.36 million in previews, stands in comparison to its animated counterparts released by DreamWorks Animation, such as “The Bad Guys” and “Trolls Band
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