In a recent address that resonated with optimism yet acknowledged the tough terrain ahead, Charlie Rivkin, President and CEO of the Motion Picture Association (MPA), stood before theater owners at CinemaCon to reaffirm the MPA’s commitment to revitalizing cinema culture. He articulated a shared desire for “great movies that draw big audiences,” a sentiment that
Box Office
Disney’s foray into live-action remakes continues with “Snow White,” a venture that some are poised to label a catastrophic experiment, given its projected loss of $115 million after factoring in various revenue streams like global home entertainment, television rights, and Disney+. With an estimated box office total of just $225 million, this film struggles to
The recent documentary *The Encampments* has truly made headlines, achieving what many thought was impossible—a groundbreaking per-screen average opening that surpasses previous records for its genre. Achieving projections of over $80,000 and notably sold-out screenings at the prestigious Angelika Film Center in New York, this film doesn’t just represent a milestone for indie distributor Watermelon
Landmark Theatres has stood as a hallmark for independent cinema in the United States, a chain that once thrived by showcasing unique films that often went unseen in mainstream theaters. However, like many in the cinema industry, Landmark faced unprecedented challenges during the COVID-19 pandemic. This turbulent period not only strained finances but also compelled
The film industry has seen a resurgence of storytelling that balances raw thrills with deep emotional currents, and Brian Kirk’s “The Dead of Winter” emerges as a strong contender in this arena. The story, centering on a widowed fisherwoman played by the esteemed Emma Thompson, places her in an unforgiving Minnesotan winter during a kidnapping
The long-anticipated reboot of “Red Sonja” has ignited excitement amongst fans and newcomers alike, signaling a resurgence for this iconic character. Samuel Goldwyn Films has successfully acquired the U.S. distribution rights, aiming for a theatrical release later this year. This film aspires to blend nostalgia with modern cinematic flair, directed by M.J. Bassett. With a
In a thrilling announcement that has taken the film community by storm, the highly-anticipated musical “Kiss of the Spider Woman,” directed by the esteemed Bill Condon and prominently featuring Jennifer Lopez, has officially secured a North American release through a strategic partnership with Roadside Attractions, Lionsgate, and LD Entertainment. This film, which has already generated
Lionsgate is once again shaking up the horror genre with the upcoming release of *The Strangers: Chapter 2*. Scheduled to hit theaters on September 26, 2025, this film continues a legacy that first captivated audiences in 2008. As we eagerly anticipate its arrival, it’s essential to reflect on the franchise’s trajectory and recognize its unique
As the lights dim and the anticipation builds, indie films find themselves in a precarious dance between financial success and the tumultuous tides of public perception. This past weekend, a number of noteworthy releases showcased both the potential and challenges that smaller-budget films continue to encounter. Notably, “Dreams,” starring Jonathan Majors, has garnered attention for
Disney’s latest venture into its animated classics, “Snow White,” has generated significant buzz ahead of its opening weekend. Featuring an extraordinary $3.5 million in Thursday previews, the film is already positioned for a noteworthy weekend at the box office. Such figures highlight a competitive landscape, especially when compared to other adaptations in the Disney canon.