The recent passing of John Badalu at the age of 53 has left an indelible mark on the landscape of Southeast Asian cinema. Born in the culturally diverse city of Makassar, Indonesia, Badalu rose to prominence as a prolific producer, programmer, and publicist, known for his unwavering commitment to amplifying the voices of LGBTQ+ and
International
In a stunning display of creativity and originality, A Useful Ghost, directed by Ratchapoom Boonbunchachoke, has emerged as a standout film at the prestigious Cannes Critics’ Week. Not only does this zany romantic drama mark a significant moment for Thai cinema, as it is the first film from Thailand to participate in this parallel section
In a strategic move that marks a transformative era for Channel 4, the network is preparing to establish an in-house production unit. This decision signifies a departure from its longstanding reliance on independent production companies, a relationship that has defined its identity for nearly 40 years. With a historical commitment to only greenlighting content from
In the ever-evolving landscape of cinema, collaborations across borders are creating compelling narratives that transcend cultural boundaries. The recent partnership between Calgary’s Peterson Polaris Corp and Filipino-American filmmaker Tyrone Acierto for the film “What’s Left Of Us” serves as a stellar example. Not only does this project headline an international ensemble cast, but it also
Mubi has successfully emerged from a heated multi-distributor competition to secure the domestic and international rights for Jennifer Lawrence’s high-profile film “Die My Love.” The acquisition, reportedly valued at mid-$20 million, signifies not only Mubi’s assertive strategy in the film industry but also a major investment in quality cinema. In an era saturated with streaming
The 69th Eurovision Song Contest, held in the iconic St. Jakobshalle arena in Basel, Switzerland, remained true to its reputation for extravagant displays of musical talent and a melting pot of cultural expression. This year’s winner, JJ from Austria, emerged as a beacon of emotive artistry, captivating both the audience and judges with a haunting
In a strategic move that signals an ambitious new era, Legendary Entertainment has appointed Di Mu as the CEO of Legendary East. This decision comes on the heels of the departure of Sirena Lu, the previous CEO, and is indicative of the company’s commitment to deepening its foothold in the Chinese market. Di Mu, who
In an era defined by rapid technological changes and evolving viewing habits, the film industry often finds itself at a critical juncture. One such turning point recently emerged as the French mini-major, Pathé, announced its intentions to re-enter the UK market for film production. After a notable withdrawal from this arena amid a strategic pivot
The Cannes Film Festival often serves as a barometer for cinematic excellence, highlighting films that not only challenge convention but also provoke profound emotional responses. In 2023, the festival broke new grounds almost immediately with the audacious debut of Mascha Schilinski’s “Sound of Falling.” Unlike previous years where the festival’s lineup took days to yield
At the intersection of cinema’s most crucial narratives and evolving market dynamics, a new name has emerged on the international stage: Global Constellation. Born from the merger of Film Constellation and Global Screen, this newly formed sales entity made waves at the Cannes Film Festival with its first significant acquisition, confirming its ambition and strategic