In the realm of cinematic storytelling, the theme of redemption is both timeless and frequently revisited. Liam Neeson, an actor renowned for his commanding screen presence, stars in “Absolution,” a crime thriller that attempts to juxtapose life, crime, and paternal relationship. However, this film is marred by predictability, echoing worn-out narratives of estrangement and redemption that seem to blend into a sea of familiarity. Directed by Hans Petter Moland and scripted by Tony Gayton, “Absolution” presents a conflicted protagonist grappling with his past as he faces a looming terminal diagnosis. This scenario sets the stage for a journey that falls short of its potential because of clichés and underdeveloped characters.
At the heart of “Absolution” is Neeson’s character, known only as “Thug,” who is portrayed as an aging Boston gangster navigating the treacherous waters of his criminal history while simultaneously trying to reconnect with his estranged daughter, Daisy, played by Frankie Shaw. The film attempts to explore the complexities of familial relationships; however, the execution is deeply flawed. Daisy, a single mother trying to make ends meet as a stripper, represents a societal struggle but remains more of a plot device than a fully realized character. The film rushes through her circumstances without delving into the emotional weight of her situation, leaving her struggles feeling superficial rather than poignant.
Compounding this issue, the film barely taps into the potential depth that could come from Daisy’s experiences as a working-class mother. The portrayal of sex workers and LGBTQ individuals in “Absolution” leans heavily on unfortunate stereotypes, reducing them to mere plot mechanics rather than giving them meaningful arcs or agency. Neeson’s character’s relationships, particularly with his daughter and grandson, lack depth and resolution. By merely throwing money at their problems, the film sidesteps the necessary emotional engagements that could have made Thug’s journey more impactful.
Alongside exploring interpersonal relationships, “Absolution” attempts to touch upon heavy themes, such as the shock of loss. Thug learns of his son’s death due to a heroin overdose, and while the scene aims to strike a chord emotionally, it ultimately feels ham-fisted. The moment is tragically undercut by Neeson’s casual mention of his son’s sexuality, which is described in a manner that reveals his discomfort and regret rather than genuine introspection. This raises the question of whether the film is truly attempting to address complex issues surrounding LGBTQ representation or if it merely uses them as incidental background noise in Thug’s journey.
Additionally, the film features another concerning subplot involving human trafficking. The conscience-driven turnaround of Thug, who unwittingly participates in this crime, has the potential for dramatic gravitas. Yet, the execution falls flat, as the film resorts to fleeting references that fail to adequately address these darker themes, merely hinting at the gravity of such realities without giving them the necessary narrative weight.
The film is visually engaging, capturing the charm and grit of Boston’s landscape. However, stunning cinematography cannot mask the narrative shortcomings that plague “Absolution.” As Thug grapples with his life choices and impending mortality, the moments intended to evoke tension—like shootouts in broad daylight that seem to ignore the laws of reality—come across as implausible. Audiences may find themselves shouting at the screen, hoping for a coherent narrative or emotional breakout that never arrives. The film feels like it wanders without purpose, failing to strike a fine balance between action and emotional connection.
“Absolution” struggles to breathe life into a familiar storyline. Despite its promising premise and Neeson’s undeniable screen presence, the film ultimately suffers from a lack of originality and emotional depth. Its attempt to explore multifaceted themes such as crime, redemption, and familial relationships falls short due to predictable tropes, underdeveloped characters, and missed opportunities for genuine storytelling. As viewers, we are left wanting—a feeling that rings all too familiar in the landscape of contemporary cinema. If you seek a film that ponders redemption with a wise and nuanced touch, “Absolution” might leave you disappointed, merely serving as a reminder that even the most seasoned actors can falter in a tired narrative landscape.