This Friday evening, Deadline’s Sound & Screen Film event is set to mesmerize audiences at UCLA’s Royce Hall with a riveting program showcasing the captivating scores that have defined the cinematic experience of 2023. This annual gathering is celebrated not just for its spotlight on film music, but for the enchanting atmosphere created by a 60-piece orchestra that breathes life into the soundtracks of this year’s most anticipated films. As Hollywood fast approaches its awards season, this event serves as an essential platform for composers and musicians to connect and share their remarkable talents.
Among the highlights of the evening, two-time Oscar-winning composer Hans Zimmer will make a noteworthy appearance to discuss his work on Steve McQueen’s World War II masterpiece, Blitz, produced by Apple Original Films. Zimmer’s profound ability to evoke deep emotions through his music has made him a staple in the film industry, and attendees are eager to hear insights into his creative process. Alongside him, the experimental band The Octopus Project will present their score for Sasquatch Sunset, including the innovative piece, “Creatures of Nature,” offering a fresh take on how music can enhance the storytelling experience in film.
The event will also feature renowned composer and conductor Harry Gregson-Williams, who will share the auditory landscape of Gladiator II, the sequel fans have awaited since Ridley Scott’s original epic left an indelible mark on cinema. Audiences will relish in the chance to listen to the score that aims to elevate the narrative of this grand saga. As part of a diverse lineup, Kris Bowers will provide insights into his score for DreamWorks Animation’s The Wild Robot, showcasing how music plays an integral role even in animation, molding the emotional undercurrents of storytelling.
As varied as the evening’s performers are, they all reflect the dynamic evolution of film music. From newcomers to industry veterans, such as Savan Kotecha, who co-wrote the title song for The Idea of You, to more established artists like Diane Warren and Aaron Zigman discussing The Six Triple Eight, the range of voices illustrates the collaborative nature of film scoring. This event underscores how crucial music is in shaping cinematic narratives, enhancing the way stories are told and experienced.
As the night unfolds, attendees can anticipate a rich tapestry of musical performances interwoven with personal anecdotes from composers and songwriters who are crucial to the success of modern filmmaking. Each discussion will unravel the secrets behind the scores we have come to love, offering a glimpse into the artistry that often goes unnoticed. This blend of live music, dialogue, and behind-the-scenes glimpses ensures that those in attendance leave with a newfound appreciation for the pivotal role composers play in creating the magic of cinema.