Hana Jušić’s latest project, *God Will Not Help*, stands as a testament to her growing reputation as a fearless storyteller willing to explore complex human conditions through a historical lens. Set in the rugged, isolated Croatian mountains of the early 20th century, the film introduces us to a community on the brink of transformation, driven by the arrival of a mysterious woman—Teresa. Jušić’s choice to frame the story within this distant setting isn’t mere nostalgia; it’s a deliberate attempt to peel back layers of societal pressure, tradition, and personal desire. Her skilled narrative crafting invites viewers to question the often rigid structures that bind communities and individuals alike.
Unlike conventional dramas, Jušić takes a bold stance by highlighting the subtle upheaval caused by Teresa’s presence—an outsider claiming kinship with a migrant family—showcasing how even in the most controlled environments, chaos and liberation can coexist. Her film underscores a powerful message: true emancipation often emerges from the most unexpected and disruptive forces.
Challenging Cultural and Gender Norms
Jušić’s approach is rooted in challenging societal norms, particularly related to gender roles and family dynamics. With *God Will Not Help*’s ensemble cast, including Chilean actress and director Manuela Martelli, Jušić pushes boundaries by intertwining personal identities with cultural histories. Martelli’s portrayal of Teresa is especially significant—returning to the big screen after a five-year hiatus—offering a layered depiction of resilience and vulnerability. Jušić’s decision to cast an international actress emphasizes her commitment to universal narratives, transcending local settings to speak to broader human experiences.
Moreover, the film’s inclusion in the prestigious Locarno International Competition underscores its artistic credibility and relevance. Jušić’s knack for weaving compelling personal stories within larger societal questions elevates her work beyond the typical genre fare. Her films aren’t just entertainment—they’re provocative reflections on belonging, freedom, and the resistance against constrictive social orders.
A Promising Reflection of European Cinema’s Future
The international co-production behind *God Will Not Help* exemplifies a new era of European filmmaking—collaborative, diverse, and daring. Jušić’s previous success with *Quit Staring at My Plate*—a film that garnered critical acclaim and awards—sets high expectations for this project. Her work is becoming emblematic of a shift towards more introspective, socially conscious storytelling that challenges audiences to reconsider their perceptions.
In a cinematic landscape often dominated by formulaic narratives, Jušić’s dedication to authentic, sometimes uncomfortable truths distinguishes her as a visionary. Her films reflect not just regional histories, but the universal quest for identity, agency, and liberation. The recognition by film festivals and international partners signals that her influence is poised to grow further, inspiring a new generation of filmmakers to pursue honesty and depth in their storytelling.
By consciously rewriting narratives and embracing complex characters, Hana Jušić isn’t just creating films; she’s shaping the future of European cinema—one daring story at a time.